Serra famously said, "Drawing is a verb." In Verblist, he compiled a series of what he called "actions to relate to oneself, material, place, and process." Serra has talked at length about the central place this language-based drawing occupies in the development of his early sculptural practice. This work on paper suggests a common ground underlying Serra's practices in all mediums—from early sculptures to later monumental works, which not only twist and curve but also enclose, surround, and encircle. It shows Serra's debt to action painting and his proximity to Conceptual and performance practices; the list was published in the journal Avalanche in 1971 and testifies to the artist’s close relationship to dancers like Yvonne Rainer and Simone Forti, with whom he shared not only a milieu but a commitment to carrying out verbs.